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摘要:杉本宏志 Hiroshi Sugimoto 下面为大家整理一篇优秀的essay代写范文 -- Hiroshi Sugimoto,文章讲述杉本宏志(Hiroshi Sugimoto)于1948年出生于日本。杉本最初在东京的圣保罗大学学习政治和社会学,但在......

杉本宏志 Hiroshi Sugimoto

下面为大家整理一篇优秀的essay代写范文 -- Hiroshi Sugimoto,文章讲述杉本宏志(Hiroshi Sugimoto)于1948年出生于日本。杉本最初在东京的圣保罗大学学习政治和社会学,但在1970年,他进入了洛杉矶艺术与设计艺术学院学习美术。
 
Hiroshi Sugimoto

Good morning, ladies and gentlemen!
Today, my topic is an artist whose name is hiroshi sugimoto.
Firstly, I would give u a short introduction about him.

女士们,先生们,早上好!

今天,我的主题是一位艺术家,他的名字是杉本博司。

首先,我将给大家做一个简短的介绍。

 
Hiroshi Sugimoto was born in Japan in 1948.  Sugimoto initially studied politics and sociology at St. Paul’s University in Tokyo, but in 1970 he enrolled at the Art Center College of Art and Design in Los Angeles to study Fine Art.
 
He subsequently moved to New York, where he established himself as a photographer interested in the representation of reality. His catalogue is made up of a number of series, each having a distinct theme and similar attributes. Because Sugimoto was influenced by Dada and Surrealist techniques and aesthetics, he photographed movie and opera houses, natural history dioramas, and wax figures, using long exposures to create eerie scenes with unnatural lighting. His work deals with history and temporal existence by investigating themes of time, empiricism, and metaphysics. 

杉本博司1948年出生于日本。杉本本最初在东京圣保罗大学(St. Paul 's University)学习政治和社会学,但在1970年,他进入洛杉矶艺术中心艺术设计学院(Art Center College of Art and Design)学习美术。

后来他搬到了纽约,在那里他成为了一名对现实表现感兴趣的摄影师。他的目录由多个系列组成,每个系列都有一个独特的主题和相似的属性。由于杉本博司受到达达主义和超现实主义技术和美学的影响,他拍摄电影和歌剧院、自然史立体模型和蜡像,使用长时间曝光,利用非自然光线创造出怪诞的场景。他的作品通过调查时间、经验主义和形而上学的主题来处理历史和时间存在。

 Sugimoto is also a practicing architect and has designed specific spaces to exhibit his photography. His interest in architecture is also evident in his many photographs of old buildings. His work is highly respected and has been shown at the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Hara Museum of Contemporary Art in Tokyo, among other institutions.
 
Sugimoto has received a number of grants and fellowships, and his work is held in the collections of the Tate Gallery, the Museum of Contemporary Art, Chicago, and the Metropolitan Museum of New York, among many others. Portraits, initially created for the Deutsche Guggenheim Berlin, traveled to the Guggenheim New York in March 2001. Sugimoto received the Hasselblad Foundation International Award in Photography in 2001. In 2006, a mid career retrospective was organized by the Hirshhorn Museum in Washington, D.C. and the Mori Art Museum in Tokyo. A monograph entitled Hiroshi Sugimoto was produced in conjunction with the exhibition. He received the Photo España prize, also in 2006, and in 2009 was the recipient of the Paemium Imperiale, Painting Award from the Japan Arts Association.  Most recently, Sugimoto unveiled his “Glass Tea House Mondrian” at Le Stanze del Vetro on the island of San Giorgio Maggiore during the 2014 Venice Biennale.

杉本也是一名执业建筑师,他设计了专门的空间来展示自己的摄影作品。他对建筑的兴趣在他许多老建筑的照片中也很明显。他的作品受到高度尊重,曾在纽约大都会艺术博物馆、现代艺术博物馆和东京原当代艺术博物馆等机构展出。

杉本博司获得了许多资助和奖学金,他的作品被泰特美术馆、芝加哥当代艺术博物馆、纽约大都会博物馆等收藏。这些肖像画最初是为柏林德意志古根海姆博物馆(Deutsche Guggenheim Berlin)创作的,2001年3月,它们来到纽约古根海姆博物馆(Guggenheim New York)展出。杉本博司在2001年获得了Hasselblad基金会国际摄影奖。2006年,华盛顿的赫希霍恩博物馆(Hirshhorn Museum)和东京的森美术馆(Mori Art Museum)组织了一场职业中期回顾展。与这次展览同时出版了一本名为杉本博司的专著。他还在2006年获得了西班牙摄影奖,并在2009年获得了日本艺术协会颁发的Paemium Imperiale绘画奖。最近,杉本博司在2014年威尼斯双年展(Venice Biennale)上,在圣乔治马焦雷(San Giorgio Maggiore)岛上的Le Stanze del Vetro推出了他的“蒙德里安(Mondrian)玻璃茶室”。

 Now, let’s go to the special features about him and his artwork.

He is known for his explorations of the illusionary properties of photography. In particular, he brings together three series—habitat dioramas, wax portraits, and early photographic negatives—that present objects of historical and cultural significance from various museum collections. By photographing subjects that  replicate moments from the distant past, Sugimoto critiques the medium's presumed capacity to portray history with accuracy. 
 
Now, I will introduce something about the Framework of his mind.

In terms of the different mind of his artwork, it can be divided into three parts---- habitat dioramas, wax portraits, and early photographic negatives habitat dioramas, wax portraits, and early photographic negatives.
In terms of dioramas, his works omit the didactic materials surrounding each display and heighten the illusion that the animals were photographed in their natural habitats. While each photograph appears to be a candid moment captured by an experienced nature photographer, the subjects depicted will hold their poses indefinitely. 

现在,让我们来看看他和他的作品的特点。

他以探摄影的虚幻特性而闻名。尤其值得一提的是,他汇集了三个系列——栖息地立体模型、蜡像和早期摄影底片——展示了各种博物馆收藏的具有历史和文化意义的物品。杉本博司通过复制遥远过去的瞬间来拍摄对象,批判了媒体被认为具有的准确描绘历史的能力。

现在,我将介绍一些关于他的思想框架

根据他作品的不同思路,可以将其分为三个部分:栖息地立体模型、蜡像和早期摄影负片。

在立体模型方面,他的作品省略了每一次展示周围的说教材料,而提高了动物在自然栖息地拍摄的错觉。虽然每一张照片看起来都是一个经验丰富的自然摄影师抓拍的瞬间,描绘的对象将保持他们的姿势无限期。

 In terms of wax portraits , Posed against pitch-black backdrops and framed by the camera in a manner alluding to old master portrait-painting traditions, Sugimoto's subjects were captured with a nine-minute exposure that illuminates the finely modeled expressions and the sumptuous costumes. These life-sized photographs record likenesses that have been filtered through multiple reproductions of the original sitter. 
 
In terms of early photographic negatives,  After photographing some of Talbot's photogenic-drawing negatives, he produced large-scale prints and colored them with toning agents to replicate the hues of the paper negatives. The scale of the enlarged prints reveals the fibers of the original paper, which create intricate patterns embedded in the images.

在蜡像方面,杉本茂在漆黑的背景下摆出姿势,用相机以一种暗示古代绘画大师绘画传统的方式进行框框。杉本茂的蜡像用9分钟的曝光时间捕捉到了模特精细的表情和华丽的服装。这些真人大小的照片记录了经过多次复制品筛选出来的肖像。

就早期的摄影底片而言,在拍摄了托尔伯特的一些照片素描底片之后,他制作了大规模的印刷品,并用调色剂给它们上色,以复制纸张底片的色调。放大后的图片显示了原始纸张的纤维,这些纤维在图像中嵌入了复杂的图案。

As a famous artists, what is the review from others ?“Sugimoto is one of our era's most respected photographers. His photographic subjects are important to the interpretation of art, history, science and religion. He combines Eastern philosophy and Western culture closely. " he was commented as the winners for the year 2001.

Also, he received many grants and fellowships.

 杉本博司是我们这个时代最受尊敬的摄影师之一。他的摄影主题对于阐释艺术、历史、科学和宗教都很重要。他把东方哲学和西方文化紧密地结合在一起。他被评为2001年的获奖者。

此外,他还获得了许多助学金和奖学金。

In this instance he used a camera obscura to project the light that was reflected off the building through a lens fitted onto the camera obscura. A piece of light-sensitive paper was taped at the back of the camera obscura. The reflection of the building was registered on the paper, which produced this sketchy negative image of the building. Talbot conducted these light-sensitivity experiments from mid-1834 until the summer of 1835. In early January 1839, he learned about Jacques Louis Mandé Daguerre's impending announcement of his daguerreotype process in France; two weeks after Daguerre's announcement, Talbot published his invention of the photogenic drawing. 

在这个例子中,他用暗箱投射光线,光线通过安装在暗箱上的镜头从建筑物反射回来。一张感光纸被粘在暗箱的后面。建筑的倒影被记录在纸上,这就产生了这个建筑的粗略的负面形象。托尔伯特从1834年中期到1835年夏天进行了这些感光实验。1839年1月初,他得知雅克·路易斯·曼德·达盖尔即将在法国宣布他的银版照相法;在达盖尔宣布这一消息两周后,塔尔博特发表了他的这幅上镜的画。

范文 杉本宏志http://www.0592w.com/Paperfanwen/fanwen514.html

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