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摘要:奇观电影文化Spectacle film culture 下面为大家整理一篇优秀的paper代写范文- Spectacle film culture,供大家参考学习,这篇论文讨论了奇观电影文化。当今社会已经开始进入读图时代,电影也开始从叙......

奇观电影文化 Spectacle film culture

下面为大家整理一篇优秀的paper代写范文- Spectacle film culture,供大家参考学习,这篇论文讨论了奇观电影文化。当今社会已经开始进入读图时代,电影也开始从叙事向奇观转型。场景奇观是奇观电影中的重要组成部分,是打造视觉震撼不可或缺的元素之一。当下奇观电影强调的是画面的直接视觉冲击力和视觉快感,叙事性被打乱了,以蒙太奇的方式穿插在影片中而丧失了整体性。因此,具有视觉震撼力的画面能够直接打动观众的视觉。

As a kind of culture, film has been at the top of the consumer culture in recent years, which makes people wonder when those Hollywood wonders with billions of dollars in box office started to replace those traditional narrative films in our mind.
The development of wonder film is inseparable from the progress of science and technology. What is the wonder movie? In the author's opinion, it is the computer image synthesized by advanced digital technology, whose picture and image have strong visual impact, or shoot some action special effects created according to the actions of the characters with various advanced photographic equipment.

There are three main types of spectacle movies to be discussed below:

 
电影作为一种文化,近年来一直处于消费文化的顶端,这让人不禁想知道,那些票房数十亿美元的好莱坞大片是什么时候开始取代我们心目中的传统叙事电影的。
 
神奇电影的发展离不开科学技术的进步。什么是奇迹电影?笔者认为是用先进的数字技术合成的计算机图像,其画面和图像具有强烈的视觉冲击力,或者是用各种先进的摄影设备,根据人物的动作拍摄一些动作特效。
 
以下将主要讨论三类奇观电影:

Action wonder is the camera to film some man-made breathtaking action. From the early Chinese swordsmen films to the gradually developed Hollywood action films, the body language of the characters is the visual core of the action wonders. For example, some Chinese martial arts stars began to appear in mainstream Hollywood movies, and this kind of action wonder gradually became popular from the east to the west.

The so-called spectacle is to show the audience something unique or familiar but unfamiliar, namely the virtual spectacle. For example, the 2019 sci-fi film "wandering the earth," based on liu cixin's novel of the same name, USES a CG composite to show the audience Shanghai frozen after hundreds of years, its towering Oriental pearl tower wrapped in a thick glacier. This kind of spectacle can only be reproduced in the film, which is an important part of the spectacle film and one of the indispensable elements to create visual shock.
Thanks to advances in technology, devices can record high-speed images of objects and create a relatively static world. For example, fast silver in "x-men apocalypse" rushes into a fire to save people, so that all objects around him are relatively still with the high-speed movement, as if time is relatively still. Speed here has two meanings, one is the high-speed movement or interpenetration of the lens, the other is the high-speed movement or interpenetration of objects or people.

Therefore, traditional narrative movie prosaic way can no longer satisfy the audience's visual requirements, images with the help of science and technology, and network in the global village of high-speed transmission, on one side of the earth happened at breakneck speed transmission through the network to the other side, in terms of traditional way of learning than network image learning is no longer have an advantage.
 
动作奇观是用摄影机拍摄一些人造的惊险动作。从早期的中国武侠片到逐渐发展的好莱坞动作片,人物的肢体语言是动作奇观的视觉核心。例如,一些中国武术明星开始出现在好莱坞主流电影中,这种动作奇观从东到西逐渐流行起来。
 
所谓奇观,就是向观众展示一些独特的或熟悉但不熟悉的东西,即虚拟奇观。例如,根据刘慈欣同名小说改编的2019年科幻电影《流浪地球》就用CG合成技术向观众展示了历经数百年沧桑的上海,高耸入云的东方明珠被厚厚的冰川包裹着。这种奇观只能在影片中再现,它是奇观电影的重要组成部分,也是营造视觉震撼不可或缺的要素之一。
 
由于技术的进步,设备可以记录物体的高速图像,创造一个相对静态的世界。例如,《x战警天启》中的快银冲进大火中救人,使他周围的物体在高速运动中相对静止,仿佛时间相对静止。这里的速度有两种含义,一种是镜头的高速运动或穿插,另一种是物体或人的高速运动或穿插。
 
因此,传统的叙事电影的方式不再能满足观众的视觉需求,图像在科学技术的帮助下,和网络在高速传输的地球村,地球的一侧发生以惊人的速度通过网络传输到另一边,用传统的学习方式相比,网络图像学习不再有优势。
 

By observing the top American Hollywood commercial blockbusters that have sold well in cinemas in recent years and comparing Japanese films with American Hollywood films, it is not difficult to find that Japanese art-house films are generally dull, with no climax or ups and downs, and it is difficult to arouse the emotions of the audience. American films, on the other hand, focus on the impact of the picture and the sense of connection between the shots. The plot is full of ups and downs, and the visual picture has the combination of rising and falling speed, which can better cater to the preferences of the younger generation. From the increasingly unbalanced film market, it is not difficult to see that "language" has started to transform into "visual", and visual culture and enjoyment have been raised to a higher level.

At present, the spectacle film emphasizes the direct visual impact and visual pleasure of the picture, and the narrative is disturbed and interspersed in the film in the way of montage, thus losing the wholeness. Therefore, visually striking images can directly touch the audience's vision. In recent years, the promotion of 4D cinema creates an immersive experience in vision, hearing and touch, which is to make the audience feel more immersive.

In the virtual world of cinema, the film is similar to a closed space and time, its time, environment, and causality can be artificially design arrangement, compared with simple too much for life, in our subconscious is free to run, our consciousness can be met, it attracts we desperate to go, to build an ideal utopia. I think that's why people like to go to the cinema and spend money to lock themselves up in a dark room with a group of people they don't know. In the movie ready player one, the director creates a virtual game world with the help of technology. In this world, each player represents someone in real life. In this world, there is no constraint of reality, and the subconscious mind of our brain can break through the constraint and run free. Perhaps the greatest charm of movies lies in the fact that what they show us is always the unknown rather than the known, and the unknown can be imagined and constructed by ourselves.

 
通过观察美国好莱坞商业大片,近年来在电影院都卖得很好,比较日本电影和美国好莱坞电影,不难发现,日本艺术电影通常是枯燥的,没有高潮起伏,很难引起观众的情感。而美国电影则注重画面的冲击力和镜头之间的联系感。剧情跌宕起伏,视觉画面有升降速度的结合,更能迎合年轻一代的喜好。从日益失衡的电影市场,不难看出,“语言”开始向“视觉”转变,视觉文化和视觉享受已经提升到一个更高的层次。
 
目前的奇观电影强调画面的直接视觉冲击和视觉快感,以蒙太奇的方式扰乱叙事并穿插在影片中,从而失去整体性。因此,视觉上震撼的画面可以直接触动观众的视觉。近年来,4D电影的推广,创造了视觉、听觉、触觉的身临其境体验,让观众更身临其境。
 
 
在虚拟世界的电影,这部电影是类似于一个封闭的空间和时间,其时间,环境,和因果关系可以人为地设计安排,而简单的生活,太多的在我们的潜意识是免费的,可以满足我们的意识,它吸引我们绝望,构建一个理想的乌托邦。我想这就是为什么人们喜欢去电影院,花钱把自己和一群他们不认识的人关在一个暗室里的原因。在电影《一号玩家》中,导演借助技术创造了一个虚拟的游戏世界。在这个世界上,每个玩家都代表了现实生活中的某个人。在这个世界上,没有现实的约束,我们大脑的潜意识可以突破约束,自由地运行。也许电影最大的魅力就在于它展现给我们的永远都是未知的而不是已知的,而未知是我们自己可以想象和构建的。

In other words, spectacle films are more inclined to the principle of audience's self-experience and visual enjoyment. Therefore, we can say that the contemporary consumer culture of fast fashion has promoted the rapid development of spectacle films. Therefore, when the movie becomes a popular culture and a consumer symbol, its symbol gradually represents a mainstream consumer culture. For example, the marvel cinematic universe, owned by Disney, has been developed into a big IP, which has become a symbol and represents a consumer culture. For another example, ghost in the shell, released in 2017, successfully led a new wave of art -- malfunction art, which began to be consumed by the public as a symbol of anti-elite culture.

Therefore, in the wave of the culture of consumption society, the wave of spectacle movie although menacing, but its too outstanding visual impact, too much emphasis on the importance of image, ignored the words convey the indirect capacity and emotional expression, which resulted in the shoot-out err on the side action spectacle of film and the scene wonders, speech and the importance of the narrator is ignored. But there's a good balance, and in that sense, it's probably a near-perfect movie.

In a word, although spectacle films are more suitable for the current consumer culture and the aesthetic needs of the public, the importance of narration and words cannot be ignored. Only by combining them can we stand firmly in the future wave of films.

 
换句话说,奇观电影更倾向于观众自我体验和视觉享受的原则。因此,我们可以说,当代快时尚消费文化推动了奇观电影的快速发展。因此,当电影成为一种流行文化和消费符号时,它的符号逐渐代表了一种主流消费文化。例如,迪士尼旗下的漫威电影宇宙已经发展成为一个大型IP,它已经成为一种符号,代表了一种消费文化。再如,2017年上映的《攻壳而出》成功引领了一波新的艺术浪潮——故障艺术,作为反精英文化的象征开始被公众消费。
 
因此,在消费社会的文化的浪潮,奇观电影的浪潮虽然来势汹汹,但其过于突出的视觉冲击,过于强调形象的重要性,忽略了言语的间接传达能力和情感表达,导致枪战宁可动作场面的电影和现场奇迹,演讲和叙述者的重要性被忽略。但两者之间有很好的平衡,从这个意义上说,它可能是一部近乎完美的电影。
 
综上所述,虽然奇观电影更适合当下大众的消费文化和审美需求,但叙事和语言的重要性不容忽视。只有把它们结合起来,我们才能在未来的电影浪潮中站稳脚跟。

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