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摘要:毕加索蓝色时期Picassos blue period毕加索蓝 下面为大家整理一篇优秀的paper代写范文- Picassos blue period,供大家参考学习,这篇论文讨论了毕加索的蓝色时期。蓝色时期是毕加索绘画历程中一个重要......

毕加索蓝色时期 Picasso's blue period 毕加索蓝

下面为大家整理一篇优秀的paper代写范文- Picasso's blue period,供大家参考学习,这篇论文讨论了毕加索的蓝色时期。蓝色时期是毕加索绘画历程中一个重要的过渡时期,画家通过对穷苦生活的不断抗争和对自我的反省,来描绘自己所处环境中贫苦的底层人民。毕加索将这种经历最贴切又最直观地表现到自己的作品中,表达了他不被压迫打倒、不满贫困、努力抗争的精神,这为其后来的立体主义奠定了基础,也为后世留下了深远的影响。

Cubism represents Picasso, whose painting style has been classified into five periods by later generations, namely the blue period of melancholy, the rosy period of lightness, and the later classicism period, cubism period and surrealism period. As a transitional period, the blue period is an important period in the development of painter's art.

Picasso, as one of the most influential artists in the 20th century, has diversified styles, creative and unique works. In his early blue period, Picasso gradually formed his own unique style. Blue is used in the picture to express the suffering of the miserable life. Through the painting, we can feel the sadness and sadness contained in the picture. During this period, Picasso expressed more self-reflection and reflection on life.

When Picasso was in Paris, his friend carlos committed suicide, which was an important starting point for Picasso's blue period. He integrated his feelings of sadness, loneliness and depression after the death of his friend into his paintings. Later, its own hard life is also an important reason for the formation of the blue period. Picasso returned to Paris in 1901, and his blue period officially began. The failure of the exhibition intensified his poor life, making him feel lonely, helpless and the difficulty of going out and entering the society alone, which was also the reason why paintings in this period were full of misery and depression. Even so, he did not give up his love for painting and his insistence on his dream. Therefore, the blue period is the portrayal of Picasso's life experience and he persisted in his exploration of beginner's mind despite being afraid of poverty.

 
以毕加索为代表的立体主义,后人将其绘画风格分为忧郁的蓝色时期、轻盈的玫瑰色时期以及后期的古典主义时期、立体主义时期和超现实主义时期。蓝色时期是画家艺术发展的一个重要过渡时期。
 
毕加索作为20世纪最具影响力的艺术家之一,风格多样,作品富有创造性和独特性。在早期的蓝色时期,毕加索逐渐形成了自己独特的风格。这幅画用蓝色来表达悲惨生活的痛苦。通过这幅画,我们可以感受到画中所包含的悲伤和悲伤。在这一时期,毕加索表现出更多的自我反省和对生活的反思。
 
毕加索在巴黎的时候,他的朋友卡洛斯自杀了,这是毕加索蓝色时期的一个重要起点。朋友去世后,他将自己的悲伤、孤独和抑郁融入到画作中。后来,自己的艰苦生活也是蓝色时期形成的重要原因。毕加索于1901年回到巴黎,他的忧郁期正式开始。展览的失败加剧了他贫穷的生活,使他感到孤独无助,难以独自走出和进入社会,这也是这一时期绘画充满苦难和沮丧的原因。尽管如此,他并没有放弃对绘画的热爱和对梦想的坚持。因此,蓝色时期是毕加索人生经历的写照,他害怕贫穷,却坚持探索初心。
 

Due to Picasso's own poverty, so during this period, the objects of his paintings are mostly poor people like himself. This is not only his sympathy for the poor author, but also his inner sympathy. It can also be said that the blue period is Picasso's period of exploration and introspection. The fragmentation of beautiful dreams, the dissatisfaction with the current situation of the painful life and the longing for a better life are all the expressions of paintings in the blue period, as well as the loss of inharmony when alone in a foreign land.
During this period, Picasso painted scenes such as death and depictions of the homeless and poor working people around him. By depicting these people at the bottom of the society, he expressed his loneliness, misery and hesitation. The helplessness and confusion of the wanderer are also the reflection of the painter's inner feelings. From a certain point of view, the wanderer is also the painter himself. But in spite of this, we can still see that the wanderer and juggler in the picture are not moved by vanity, do not associate with the world, away from the hustle and bustle of calm and self-redemption dignity.

Due to the different environment and lifestyle of the painter, the painter's perception of color is also different. For example, red makes people feel warm, yellow makes people feel sunny, and blue makes people feel depressed and sad. In this period, Picasso experienced the death of his friend and saw the poor life of the people at the bottom around him, which made him feel the gloomy and depressed life and suffered the torture of life. However, he did not give up his love for painting and his insistence on his dream. He used blue to express the color of the picture and make the picture full of depression. His apposite feeling of poverty also makes the picture more real. At that time, blue was also a symbol of pain and misery, which is why this period was called the "blue period".

In the blue period, the painters mostly described the vagrants, jugglers and so on, and depicted the pain and misery of the poor people through freely flowing downward lines. For example, in his painting woman ironing, the painter shows the dynamics and expressions of the figures through downward flowing lines, giving people a sense of illusion, making the whole picture more sad and enhancing the audience's sense of empathy when viewing the painting.

由于毕加索自身的贫穷,所以在这一时期,他的绘画对象大多是像他一样的穷人。这不仅是他对可怜的作者的同情,也是他内心的同情。也可以说,蓝色时期是毕加索探索和反省的时期。美好梦想的碎片化,对痛苦生活现状的不满,对美好生活的向往,都是蓝色时期绘画的表现,也是一个人在异国他乡失去和谐的表现。
 
在这一时期,毕加索画了死亡等场景,描绘了他周围无家可归和贫穷的工人。通过刻画这些处于社会底层的人,他表达了自己的孤独、痛苦和彷徨。游子的无奈与迷茫也是画家内心情感的反映。从某种意义上说,漫游者也是画家自己。但尽管如此,我们仍然可以看到,画中的游子和杂耍者并没有被虚荣心所打动,也没有与世界为伴,远离了平静和自我救赎尊严的喧嚣。
 
由于画家所处的环境和生活方式的不同,画家对色彩的感知也不同。例如,红色让人感到温暖,黄色让人感到阳光,蓝色让人感到沮丧和悲伤。在这一时期,毕加索经历了朋友的死亡,看到了生活在底层的人们的贫穷生活,这让他感到了生活的阴郁和消沉,遭受了生活的折磨。然而,他并没有放弃对绘画的热爱和对梦想的坚持。他用蓝色来表达画面的色彩,使画面充满了压抑。他那种恰如其分的贫困感也使画面更加真实。在那个时候,蓝色也是痛苦和不幸的象征,这就是为什么这个时期被称为“蓝色时期”。
 
在蓝色时期,画家多描写流浪汉、杂耍者等,并通过自由流动的向下线条来描绘穷人的痛苦和苦难。例如,在他的画作woman ironing中,画家通过向下流动的线条来表现人物的动态和表情,给人一种错觉,使整个画面更加悲伤,增强了观众观看时的同理心。
 
In her work "the woman who irons clothes", the woman in the painting is bent and her head is lowered, as if her whole body weight is pressed on the arm of the ironing clothes, and the scattered hair seems to silently express the pressure of life. Different shades of blue in the picture, as in deliberately create a sad, sad life atmosphere, background large surface flat painted, more foil a woman's heart.

In the blind old man playing guitar, the thin body, sunken eyes and slender fingers of the old man seem to be silently telling his sadness. Although the old man who plays guitar is blind, he hasn't given up his passion for art and still plays the guitar with difficulty. This is also the reflection of Picasso's own artistic career in this period, not defeated by the tragic life, still adhere to the determination of painting creation. The overall grey and blue color of the picture enables us to feel the sad life of the old man, but the old man is not moved by the vanity, and still insists that the spirit of art is worth learning, which is probably the spirit that the painter wants to learn.
 
在她的作品“the woman who irons clothes”中,画中的女人弯着腰,低着头,仿佛整个身体的重量都压在熨烫衣服的手臂上,散落的头发似乎在无声地表达着生活的压力。不同深浅的蓝色在画面中,如同在刻意营造一种忧伤、忧伤的生活氛围,背景大面平绘,更衬托出女人的心。
 
在这位弹奏吉他的盲人老人身上,老人瘦削的身体、凹陷的眼睛和纤细的手指似乎在默默地诉说着自己的忧伤。这位弹吉他的老人虽然失明了,但他并没有放弃对艺术的热情,弹吉他仍然有困难。这也反映了毕加索自己在这一时期的艺术生涯,没有被人生的悲剧打败,仍然坚持绘画创作的决心。整体的灰色和蓝色图片使我们感到老人的悲惨生活,但老人不是打动了虚荣,还坚持认为,艺术是值得学习的精神,这可能是画家想学的精神。

In his work life, the painter deliberately elongates the proportion of the figures in the picture. Different shades of blue light and shadow on the figures make the whole picture have a story line, which is serious and solemn, which is also the painter's self-reflection and exploration of life. The four groups of characters in the picture, with different shapes and dynamics, seem to be connected by a magical power. The picture on the left shows a couple of men and women, with the woman resting on the man's shoulder. However, there seems to be no eye contact between them, which inevitably leads to infinite reverie. The woman on the right holding the baby, like a mother with a heavy burden. The crouching woman in the background seems to be a lonely person suffering from the pain of life. The men and women snuggling in the back are more likely to be overwhelmed and dependent on each other. A sharp contrast between before and after. The whole painting is the restoration of the life of the characters in the painter's environment, making viewers feel the silent loneliness and confusion.

The blue period was an important transitional period in Picasso's painting process. The painter depicted the poor people in his environment through his constant struggle against the poor life and self-examination. Picasso expressed this kind of experience most aptly and intuitively in his own works, expressing his spirit of not being beaten down by oppression, being dissatisfied with poverty and struggling hard, which laid a foundation for his later cubism and left a profound impact on later generations.
 
画家在他的工作生涯中,故意拉长了画中人物的比例。人物身上不同深浅的蓝色光影,使整幅画面有了一个故事线,严肃而庄重,这也是画家对生活的自我反思和探索。画面中四组不同形状、不同动态的人物,似乎被一种神奇的力量连接在一起。左边的照片是一对男女,女人靠在男人的肩膀上。然而,他们之间似乎没有眼神交流,这必然导致无限的遐想。右边的女人抱着孩子,好像母亲在负重。背景中蜷伏着的女人似乎是一个孤独的人,忍受着生活的痛苦。依偎在后面的男女更容易不知所措,互相依赖。前后的鲜明对比。整幅画是对画家所处环境中人物生活的还原,让观者感受到一种无声的孤独和迷茫。
 
蓝色时期是毕加索绘画过程中的一个重要过渡时期。画家通过对贫困生活的不断抗争和自我反省,描绘了他所处环境中的穷人。毕加索在自己的作品中最贴切、最直观地表达了这种体验,表达了他不被压迫所打倒、不满足于贫穷、努力奋斗的精神,这为他后来的立体主义奠定了基础,也给后世留下了深刻的影响。

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