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摘要:Essay代写范文-超现实主义运动Surrealism Movement 本文是一篇Essay代写范文,题目为Surrealism movement,文章讲述超现实主义运动起源于1910年代末期和1920年代文学,尝试了一种称为自动写作或无意识行......

Essay代写范文-超现实主义运动 Surrealism Movement

本文是一篇Essay代写范文,题目为Surrealism movement,文章讲述超现实主义运动起源于1910年代末期和1920年代文学,尝试了一种称为自动写作或无意识行为的新方式。它试图释放潜意识的无限想象力。超现实主义是一种文化运动,始于1920年代初期,以视觉作品和著作而闻名。超现实主义的目的是解决梦想与现实条件之间的矛盾。

Surrealism movement originated in the late 1910 s and 1920 s literature, trying a new way called automatic writing or unconscious behavior; it attempted to release the subconscious infinite imagination. Surrealism was a cultural movement which began in the early 1920s, and it was best known for its visual artworks and writings. The purpose of surrealism was to solve the contradiction between dream and reality conditions before. Artists drew disturbing accuracy, illogical scenario, photography, and strange creatures from daily objects creation and development of painting technology, allowing the unconscious to express their ideas and concepts. Surreal characteristic elements included surprise, unexpected juxtapositions and non sequitur. However, many surrealist artists and writers thought that their works expressed the philosophical movement first and then artifacts. Leader Andre Breton asserted surrealism clearly, the most important of all was the revolutionary movement.

超现实主义运动起源于1910年代末和20世纪20年代的文学,试图通过一种新的方式,即自动写作或无意识行为来释放潜意识中的无限想象。超现实主义是一场始于20世纪20年代初的文化运动,以其视觉艺术作品和作品而闻名。超现实主义的目的是解决梦与现实之间的矛盾。艺术家们从日常物品的创作和绘画技术的发展中,画出令人不安的准确性、不合逻辑的场景、摄影和奇怪的生物,让无意识的人表达自己的想法和概念。超现实主义的特征元素包括惊喜、意外的并列和非连续性。然而,许多超现实主义艺术家和作家认为,他们的作品首先表现的是哲学运动,然后才是艺术品。领袖安德烈·布雷顿明确地断言了超现实主义,其中最重要的是革命运动。

René Magritte (21 November 1898 – 15 August 1967) was a Belgian surrealist artist. He became well known for a number of witty things and thought-provoking images that fell under the umbrella of surrealism. His work was famous for challenging observers' preconditioned perceptions of reality. Rene Magritte is the biggest boy who was born in a very wealthy family. His father was considered to work in manufacturing industry, and his mother was a milliner before her marriage. Magritte developed as an artist because of two major events in his childhood. The first thing was that he saw an artist drawing in a cemetery when he was playing with a friend. Magritte's work had a major impact on sports after his death, including pop, concept, theory, and paintings in the 1980 s. In particular, his work has been hailed as a herald of the coming trends in art areas  because  it focused on concepts,  closely related to commercial art, and it focused on everyday objects common repeat image space too.

勒内·马格里特(1898年11月21日至1967年8月15日)是比利时超现实主义艺术家。他因一些妙趣横生的东西和发人深省的形象而闻名于世,这些东西都属于超现实主义的保护伞之下。他的作品以挑战观察者对现实的先决条件的看法而闻名。雷内·马格里特是出生在一个非常富裕的家庭里的最大的男孩。他的父亲被认为在制造业工作,母亲婚前是一名女帽匠。马格里特成长为一名艺术家是因为他童年的两件大事。第一件事是,当他和一个朋友玩的时候,他看到一个画家在墓地里画画。马格里特的作品在他去世后对体育产生了重大影响,包括20世纪80年代的流行音乐、概念、理论和绘画。特别是他的作品以概念为中心,与商业艺术密切相关,也关注日常生活中常见的重复图像空间,因此被誉为艺术领域未来趋势的先驱。

The Pleasure Principle was painted by René Magritte in 1937. The Pleasure Principle was a portrait of Edward James.  It’s an oil painting on canvas. Edward William Frank James (1907–1984) was a British poet who was known for his patronage of the surrealist art movement. He supported Salvador Dali throughout 1938, his collection of paintings as well as art objects were accepted as surrealism works and the best collection in private hands later. He also offered practical help and support to Dali for about two years. Dali even allowed Rene Magritte to stay in his house and paint in London. The Pleasure Principle was a really good example of surrealism artwork in terms of the techniques that Magritte used, and the subject matter which is about the poet Edward presented in a surprise way, it revealed the idea of surrealism by painting a surrealist poet.

The painting was rectangular vertical layout with Edward sitting in the center in front of a desk. He is suited up, sitting up straight with one hand on the desk. There was also an object on the desk; apparently it was a rock of some kind. And the most mysterious part of the painting was that his head was not shown. We can only see the light coming from his head like a bright light bulb, except for the size of his head. I think this is the most important part that contributes to the idea of surrealism. As we all know, Surrealist creation method is to let the object run out from the normal scope, and combined with  the things that not related, or created the inside out chaos to inspire the new, mysterious or poetry meaning .

The style of surrealism is to paint with photographic precision, creating strange features from everyday objects and developing techniques that allow people to express their ideas. In this painting, Magritte used this style as painting style which expressed the detailed reality vividly. The folds on the suit, the shadows from the lights that appeared on the clothes are very realistic. So the dressing style also reflected people’s fashion during that period of time and Edward’s social status.

The missing head also implied the dream, and imagination of human, so the realistic clothing and the imaginary lights combined together and worked really well to perceive and resolve the contradiction between dream and reality. This was the point of surrealism and Magritte expresses it successfully in this painting by developing everyday object, such as a person with strange features on the head.

There was also another interesting object in this painting. That was the rock set on the desk in the front. It was not a book or any other object, but a rock; it seemed irrelevant to the portrait and the mysterious light. But it was set there to make the viewer wonder and image. I think this is another part of the strange feature which Magritte created to show the mysterious part of surrealism style.

As a conclusion, Magritte successfully demonstrated surrealism style of artwork in the painting Pleasure Principle  by using the realistic painting techniques , combining the character with strange features  such as the mysterious head, the light, and the irrelevant rock.   He created these to emphasis the solution for “dream and reality” as contradiction.
 

这幅画是长方形的垂直布局,爱德华坐在中间的一张桌子前。他穿得很整齐,一只手放在桌子上坐直了身子。桌子上还有一件东西;显然那是某种岩石。这幅画最神秘的部分是他的头没有露出来。我们只能看到从他的头发出的光像一个明亮的灯泡,除了他的头的大小。我认为这是超现实主义思想最重要的一部分。我们都知道,超现实主义的创作方法是让物体从正常的范围中跑出来,并与不相关的事物相结合,或创造出由内而外的混沌来激发新的、神秘的或诗意的意义。
 
 
 
超现实主义的风格是用摄影般的精确度作画,从日常物品中创造出奇怪的特征,并发展出能让人们表达想法的技术。在这幅画中,马格利特将这种风格作为绘画风格,生动地表达了现实的细节。衣服上的褶皱,灯光在衣服上的阴影都非常逼真。所以服饰风格也反映了当时人们的时尚和爱德华的社会地位。
 
 
 
缺失的头部也寓意着梦想和人类的想象,所以现实的服装和想象的灯光结合在一起,很好地感知和解决了梦想和现实的矛盾。这是超现实主义的观点,而马格利特在这幅画中通过发展日常物体成功地表达了这一点,比如一个头上有奇怪特征的人。
 
 
 
这幅画中还有另一件有趣的东西。那是摆在前面桌子上的石头。这不是一本书,也不是别的什么东西,而是一块石头;它似乎与画像和神秘的光线无关。但它被设置在那里,以使观众惊奇和形象。我想这是马格利特为了表现超现实主义风格的神秘部分而创作的另一个奇怪特征。
 
 
 
综上所述,马格利特运用写实的绘画技巧,将人物与神秘的头部、光线、不相干的岩石等奇异特征相结合,成功地在绘画愉悦原则中展示了超现实主义艺术风格。他创造这些强调解决“梦想和现实”矛盾的方法。

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